![]() ![]() The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. On the surface, Pure Moods scans as a physical-product-era equivalent of a “Lofi Hip Hop Radio to Relax/Study to” YouTube loop-an exercise in uniform vibe-setting, filtered primarily through 90s New Age music instead of current-day chillwave variants. shores in 1994, and spawned five four “sequels” as well as more thematically specific spinoffs like Celtic Moods and Romantic Moods. “Originally released as Moods – A Contemporary Soundtrack in the UK in 1991, the compilation was rebranded as Pure Moods upon hitting U.S. Unless you’re a music writer-in which every waking moment is spent aurally sifting through crap in hopes of discovering something that brings you joy, or at the very least a decent rate-it’s wholly possible you’ve spent some time sitting around in silence, wondering if there’s anything you could throw on as background music to soothe whatever inner turmoil your thought process currently represents,” writes Larry Fitzmaurice. ‘Let’s assume, for a second, that you’re on the responsible end of societal actors and are currently in the midst of self-imposed isolation as the coronavirus pandemic spreads. It is an investigation into whether the memorably vibey 90s New Age compilation can offer any solace in this time of chaos. ![]() Webpage has an article called “Revisiting ‘Pure Moods’ in the Age of Coronavirus”. ![]()
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